In Strangeness



"I have placed myself in strangeness."

Ria, 22. Not that artsy nor articulate, but enjoys expressing herself nonetheless. Will reblog things about nature, art, video games, birds, comics, fish, gifs, her dream house, clothes/bags/shoes, food and poetry and random stuff that makes her laugh.


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7027 | 28.1.2012 | 1 day ago


863 | 28.1.2012 | 1 day ago


thedailywhat:

Awesomeness Runs In The Family of the Day: Video artist Dicken Schrader rubs his sensational child-rearing skills in all our faces by enlisting the help of his kickass kids Milah and Korben in covering Depeche Mode’s “Everything Counts.”

[dpaf.]

71 | 28.1.2012 | 1 day ago


670 | 28.1.2012 | 1 day ago


stationary-traveler:

I just want it.

stationary-traveler:

I just want it.

(Source: aurelcee, via interiorporn)

1863 | 28.1.2012 | 1 day ago



Throughout the mid to late 1970s and upwards, Hiroshi Sugimoto packed up a folding 4x5 camera & tripod, surreptitiously entered matinees (and, one can only presume, evening film events) and documented the interior of movie theatres across the United States. He would open the shutter just before the ‘first light’ hit the screen and close it after the credits finished rolling and before the house lights came on. Using this method he was able to invert the subject/object relationship of the movie theatre and use the film itself to illuminate the proscenium and interior. This content, largely unaddressed critically, is what lends the images their incredible power — along wtih the natural fascination of being made privy to the photography’s divine birthright — allowing us to see the normally invisible, to experience a finite collapse of time.

Throughout the mid to late 1970s and upwards, Hiroshi Sugimoto packed up a folding 4x5 camera & tripod, surreptitiously entered matinees (and, one can only presume, evening film events) and documented the interior of movie theatres across the United States. He would open the shutter just before the ‘first light’ hit the screen and close it after the credits finished rolling and before the house lights came on. Using this method he was able to invert the subject/object relationship of the movie theatre and use the film itself to illuminate the proscenium and interior. This content, largely unaddressed critically, is what lends the images their incredible power — along wtih the natural fascination of being made privy to the photography’s divine birthright — allowing us to see the normally invisible, to experience a finite collapse of time.

(Source: forestmilk, via petradactyl)

8034 | 28.1.2012 | 1 day ago


(Source: cordisre, via angrylittleboy)

10 | 28.1.2012 | 1 day ago


bauzahaus:

Check out what my friend Jacyn and I did yesterday!

CLICK HERE to see our other tiny food products :D

Check it out! <3

6519 | 28.1.2012 | 1 day ago


angrylittleboy:

general-miss-a:

thedailywhat:

First Look of the Day: Thirteen years later, Cowboy Bebop director Shinichirō Watanabe is reuniting with Cowboy Bebop composer Yoko Kanno for a brand new anime about “a naive boy and a scruffy boy [who] share a passion for jazz in a provincial town in the late 1960s.”

Based on Yūki Kodama’s same-named manga series, Sakamichi no Apollon is set to air this April on Fuji TV’s anime programming block, Noitamina.  

[animenews.]

FFFFFU. I will wait for this. :DDD

Looks and sounds nice.

9 | 28.1.2012 | 1 day ago


157 | 26.1.2012 | 3 days ago


presidents:

Avalon.ph and Nothing Spaces (me!) are giving away an original 3-pack (ruled paper) and the 2012 18-Month Workstation Calendar to one lucky winner!
FIELD NOTES GIVEAWAY MECHANICSWinner of the Field Notes set (Ruled 3-pack and 18 Month Workstation Calendar) will be picked at random using a randomizer. Do at least one of the following; each counts as an entry for you. Open only to residents of The Philippines.
For Twitter users: Tweet “Dear Nothing Spaces and Avalon.ph, I am joining because I want to remember now. http://bit.ly/ns-fieldnotes #NSGiveaway” You can tweet only once during the contest. Don’t forget to use the hashtag.
For Tumblr users: Follow my tumblr and reblog this entry. Each counts as 1 entry.
For Nothing Spaces readers: comment here with something you want to remember or link http://bit.ly/ns-fieldnotes in a blog entry and comment on this post with the link.
CONTEST ENDS 5 FEBRUARY 2012, SUNDAY. 5PM (GMT +8:00)Winner will be announced shortly after giveaway is closed, and will be notified by email.
Good luck! Comment if you have any questions or clarifications.

presidents:

Avalon.ph and Nothing Spaces (me!) are giving away an original 3-pack (ruled paper) and the 2012 18-Month Workstation Calendar to one lucky winner!

FIELD NOTES GIVEAWAY MECHANICS
Winner of the Field Notes set (Ruled 3-pack and 18 Month Workstation Calendar) will be picked at random using a randomizer. Do at least one of the following; each counts as an entry for you. Open only to residents of The Philippines.

  1. For Twitter users: Tweet “Dear Nothing Spaces and Avalon.ph, I am joining because I want to remember now. http://bit.ly/ns-fieldnotes #NSGiveaway” You can tweet only once during the contest. Don’t forget to use the hashtag.
  2. For Tumblr users: Follow my tumblr and reblog this entry. Each counts as 1 entry.
  3. For Nothing Spaces readers: comment here with something you want to remember or link http://bit.ly/ns-fieldnotes in a blog entry and comment on this post with the link.

CONTEST ENDS 5 FEBRUARY 2012, SUNDAY. 5PM (GMT +8:00)
Winner will be announced shortly after giveaway is closed, and will be notified by email.

Good luck! Comment if you have any questions or clarifications.

9321 | 26.1.2012 | 3 days ago


1611 | 26.1.2012 | 3 days ago


1147 | 25.1.2012 | 3 days ago


431 | 25.1.2012 | 3 days ago


867 | 24.1.2012 | 4 days ago


drawthisdress:

Cocktail dress by Arnold Scaasi, ca 1958 US, the Met Museum (via Old Rags)

drawthisdress:

Cocktail dress by Arnold Scaasi, ca 1958 US, the Met Museum (via Old Rags)